Harvard Review 56
| Christina Thompson |
FICTION
| Miciah Bay Gault | Ferry |
| David Ryan | |
| Timothy J. Jarvis | The Song of the Goatsucker |
| Zoë Wicomb | Hinza and Mr. P |
| Jenny Holden | The Page Turner |
| Tabish Khair | The Corridor |
| Case Q. Kerns | The Man Who Knew the Collage |
ESSAY
| Michael Larkin | |
| Paul Mandelbaum | My Grandfather’s Assassin: Some Theories |
| Cristina Rivera Garza, trans. Robin Myers | Exophonic Alphabets |
| Jeffrey Yang | from Faces of China in Fourteen Rooms |
| Jodie Noel Vinson | In Circadia |
POETRY
| Christopher DeWeese | Our Fruits and Vegetables Are Wild Plants That Have Been Improved |
| Zoë Hitzig | |
| Campbell McGrath | The Bog |
| Dean Rader | In Advance of All Parting The Inscrutability of Influence |
| Emily Fragos | Nihil You Have Devoured Everything |
| Benjamin Gucciardi | I Ask My Sister’s Ghost to Take Me with Her |
| Isobel Dixon | Whalefall Wreckfish |
| Jill Bialosky | There She Is, the Woman Even the Rats Will Not Emerge We Can’t See Anything But Ice |
| Stanley Moss | Mishearing |
| Vidyan Ravinthiran | Karna |
DRAMA
VISUAL ART
| Cy Twombly | Orpheus Ode to Psyche |
| Douglas Robertson | Whalefall — Fluke Wreckfish |