Harvard Review 42
| Christina Thompson |
FICTION
| Marjorie Celona | The Everpresent Hell of Other People |
| Mark Chuisano | To Live in the Present Moment Is a Miracle |
| Karen E. Bender | The Visit |
| John Culbert | Rider |
| Pauls Toutonghi | Evel Knievel Days |
ESSAY
| Sophia Veltfort | Missing |
| Barbara Sjoholm | Remapping the Tourist Road |
| Jason Mastaler | Shadow Walk |
| Brian Schwartz | The Mezuzah |
POETRY
| Vicente Aleixandre, trans. Stephen Kessler | The Comet Last Moon |
| Mark Jarman | Milagro Bad Girl Singing The Children’s Zoo |
| Charles Simic | Without Warning On the Brooklyn Bridge Black on Black Mexican Butterfly |
| Bruce Bond | The Bone Church of Sedlic Robitussin |
| Alison Prine | Naming the Waves |
| Anne Shaw | Consumption |
| Frannie Lindsay | Adoration at the End of Time |
| Jeremy Allan Hawkins | Photos of Cherry Blossoms |
| Carol Moldaw | At the Pond |
| A. Van Jordan | Run, Lola, Run |
| Victoria Redel | Smoking Cigarettes with Brodsky |
| Honor Moore | Naked Story |
| Artress Bethany White | Of Beer and Rattlesnakes on Sunday Morning |
DRAMA
VISUAL ART
| Tory Fair | Untitled Morning Coffee Daydream In the Floor |
| Richard Tuttle | Two with Any To, #8 Two with Any to, #1 New Mexico, New York, E, #1 New Mexico, New York, E, #3 Letters (The Twenty-Six Series) Forms in Classicism (detail) Forms in Classicism (detail) |
| James Nares | That Mississippi River Painting Untitled Heart for Candy |
| Antoni Tàpies | White Book Jug Petit t The Ladder You Open Bed Fallen A White Skull Memory |
| Jeffrey Bishop | Cascade #14 Untitled (Pours) #5 Untitled 2000 #5 Untitled-05 #15 Untitled-07 #16 |