Harvard Review 4
FICTION
| Alfred Alcorn | from The Log of the MOM |
| Stephen Dobyns | from The Wrestler’s Cruel Study |
| Edmund Keeley | from School for Pagan Lovers |
ESSAY
| Stanislaw Baranczak | To Tell It All: Czeslaw Milosz’s “Six Lectures in Verse” |
| Manuela Bertone | Pandora’s Box |
| Sven Birkerts | The Flaneur |
| William Corbett | Charles Olson’s Funeral |
| John Farrell | Postmodern Instances |
| Norbert Fremont | The Red Beet |
| Helen Fremont | Letter from Rome |
| Seamus Heaney | On W.B. Yeat’s “The Man and the Echo” |
| H.L. Hix | In Scriptions/ Ex-Positions |
| Theodor Kallifatides | Language and Identity |
| Suzanne Matson | Disquieting Muses |
| Michael Milburn | On Criticism |
| Kathryn Parsons | Cornering |
| Cyrus R. K. Patell | Screen Memory |
| Liam Rector | Reports from the Culture Wars |
POETRY
| Renee Ashley | Arethusa, Deep |
| Daniel Bosch | The Crucible |
| Andre du Bouchet | ash shading into blue |
| Sophia de Mello Breyner | Delphic (Pt. IV) |
| Lucie Brock-Broido | Rome Beauty |
| Julia Budenz | Equipoise |
| Marcus Cafagna | Reading Sex |
| Rodney Dennis | By the New York Public Library |
| Denise Duhamel | Why, on a Bad Day, I can Relate to the Manatee |
| Stuart Friebert | Funeral Pie |
| Barbara Jordan | Menteth Glen |
| Sarah Kafatou | Spring |
| Mary Karr | Grace |
| Katherine Lederer | Near Sikl Farm Road |
| Thomas Lux | A Streak of Blood that Once was a Tiny Red Spider |
| Fred Marchant | Fragments on the Last Night |
| David Mason | The Rhythm of Work |
| Alvaro Mutis | Adobe Three Images |
| William Rice | Nature Lover |
| Nicholas Samaras | Jordanville |
| Tony Sanders | Sunday Evening |
| Peter Dale Scott | Letter to Paul Alpers |
| Michael Sifakis | dreams II |
| Charles Simic | The Clocks of the Dead |
| Bruce Smith | Summer in the Crumbling State |
| Kim Sowol | Songs From The Riverbank |
| Chris Wallace-Crabbe | Ode to Morpheus |
| Anna Warrock | Heart, Hurt |
| Oksana Zabuzhko | untitled |
| Rachel Hadas | The Blessing |
| Sue Standing | Event Horizon |