Harvard Review 62
| Christina Thompson | Editorial |
FICTION
| Justin Taylor | What About This |
| Joan Wickersham | River of Diamonds |
| Vanessa Cuti | Self-Help |
| Dinitia Smith | The Crux |
| Stanley Stocker | On the Nature of Good and Evil |
| Kevin Moffett | My Heyday |
ESSAY
| Paul Mandelbaum | Françoise Sagan Isn’t Home |
| Lia Purpura | Anthropomorphism Today |
| Amelia Barros | The Anointing |
| Erica Funkhouser | The Sickroom |
| Garret Keizer | Burning Days |
POETRY
| Jidi Majia, translated by Arthur Sze | Freedom |
| Angie Estes | The Swallows Come Out Stars Roamed Above Us |
| Elise Paschen | from Heritage |
| Benjamin Paloff | Of Presumption |
| Rae Armantrout | Dodgy The Drift |
| Maureen Langloss | Every Cut Has Its Kerf* |
| Daniel Bouchard | Commons Book Group |
| Joshua Bennett | We |
| Matthew Zapruder | Listening to Paintings |
| Anna Maria Hong | Water Tiger Water Rabbit |
| Jean de la Fontaine, translated by Henri Cole & Claire Malroux | The Hare and the Frogs |
| José A. Alcántara | The Call |
| Fiona Revill | Circumpolar, or a Love Letter to My Soviet Fiancé |
| Kyoko Reidy | Francis Bacon on the Black Triptychs |
| C. W. Emerson | The Gospel According to Don Lorenzo the First The Gospel According to Don Lorenzo the Younger |
| G. C. Waldrep | And the Stonesquarers |
| Emrick Donaldson | Ear Impediment: On the Impatience Towards Poetry |
| Daniel Halperin | Rhying Ham Sonnet |
DRAMA
VISUAL ART
| Santiago Moyao | Animals |