Harvard Review 28
| Christina Thompson | Editorial |
FICTION
| Jim Crace | Too Young for Funerals |
| Vu Tran | The Other Country |
| Peter Orner | Last Car over the Sagamore Bridge |
| Joyce Carol Oates | The Stolen Heart |
| Cynthia Morrison Phoel | Satisfactory Proof |
ESSAY
| David Rompf | Viet Q |
| Alison Krupnick | The Benefit of the Doubt |
| Matthew Goodman | The Rise and Fall of the Bagel |
| Marion Halligan | Novels, Philosophy, and Apricot Jam |
POETRY
| Meena Alexander | August 14, 2004 Dog Days of Summer Closing the Kamasutra |
| Elizabeth Smither | The Mink Dolls House |
| Craig Edward Stetson | Pagliacci |
| Sam White | En Route |
| Mircea Ivanescu, Adam J. Sorkin, Lidia Vianu | myopia |
| Michael Loughran | {…} |
| Rachel Losh | Tiny Green Square #1 |
| Frannie Lindsay | Curse |
| Ray DiPalma | Asking םי |
| John Hennessy | How the Dog-Star Got His Name Ariadne on Naxos |
| Janice N. Harrington | They All Sang |
| Teresa Cader | Blue Table with Pomegranates |
| Seamus Heaney | A Scuttle for Dorothy Wordsworth |
| Samuel Menashe | Railroad Flat Rest in Peace Make It New Die-hards |
| Landis Everson | I Reach for My Knight |
| Ingeborg Bachmann and Peter Filkins | Fall Down, Heart The Heavy Cargo [On Many Nights I Ask My Mother] |
| Oscar Hahn & James Hoggard | Wedding Album The Insects’ Wisdom |
| Kelly Cherry | Chance in a Universe of Values |
| Stephen Sandy | Three Stones |
| Sandra McPherson | Virtue Study: Pastoral |
| James McCorkle | September Notes |
| G. G. Pontano & Rodney G. Dennis | To His Wife, Ariadna |
| Peg Boyers | Pentecost: Waiting |
| Diane Tucker | Hands Ghazal |
DRAMA
VISUAL ART
| Stephan Balkenhol | Four Drawings |
| Meg Birnbaum | Four Photographs |
| John Coplans | Four Photographs |
BOOK REVIEWS
| Jacquelyn Pope | Meena Alexander, Raw Silk |
| Tim Kindseth | Edgardo Cozarinsky, The Bride from Odessa |
| Shrode Hargis | Steven Cramer, Goodbye to the Orchard |
| Tony Baker | Ken Edwards, eight + six |
| Andrew DuBois | Angus Fletcher, A New Theory for American Poetry |
| Michael Shinagel | Marjorie Garber, Shakespeare After All Stephen Greenblatt, Will in the World |
| Maggie Dietz | Debora Greger, Western Art |
| Chard deNiord | Mark Jarman, To the Green Man |
| Chris Wallace-Crabbe | August Kleinzahler, Cutty, One Rock |
| Jeffrey Galbraith | Ted Kooser, Local Wonders; Delights and Shadows |
| Scott McCabe | Jocelyn Lieu, Potential Weapons |
| Ellen Davis | Frannie Lindsay, Where She Always Was |
| Meg Tyler | Michael Longley, Snow Water |
| Tony Baker | Tony Lopez, False Memory |
| Jonathan Weinert | Lisa Lubasch, To Tell the Lamp |
| Kathleen Rooney | Roddy Lumsden, Mischief Night |
| William Doreski | Montale in English, ed. Harry Thomas |
| H. L. Hix | Nicholas Mosley, Inventing God; The Uses of Slime Mould |
| Jacquelyn Pope | Amos Oz, A Tale of Love and Darkness |
| William Doreski | The Poetry of Petrarch, trans. David Young |
| David Blair | James Tate, Return to the City of White Donkeys |
| Thomas O'Grady | Richard Terrill, Coming Late to Rachmaninoff |
| Michael Shinagel | Helen Vendler, The Art of Shakespeare’s Sonnets |
| Henry Pickford | A New History of German Literature, eds. David Wellbery and Judith Ryan |