Harvard Review 10
FICTION
ESSAY
| Jonathan Aaron | Across Four Centuries: Jan Kochanowski’s Laments |
| Alfred Alcorn | Gaelic |
| Homero Aridjis | Seamus Heaney and the Music of What Happens |
| Stanislaw Baranczak | The Honorary Pole |
| Frank Bidart | Like Hardy |
| Sven Birkerts | The Force That Must Resist |
| Ann Cobb | Poet’s Chair |
| William Corbett | Two Snapshots of Seamus and a Footnote |
| Steven Cramer | Pure Change: On Teaching Heaney’s “Clearances” |
| Ellen Davis | Forms of Redress |
| Stuart Dischell | Second Sight: Heaney’s “Mud Vision” |
| William Doreski | Diggins |
| Thomas Sayers Ellis | Seeing Seamus |
| John Farrell | Seamus Heaney in His Critical Essays |
| Thomas Flanagan | Evening Drive to Ballinamuck |
| David Gewanter | Rascal, Racer, Makar |
| Eamon Grennan | Passwords |
| Dimitri Hadzi | Where in Hellas was Seamus Heaney |
| Stratis Haviaras | Letter from the Kenney Center for the Performing Arts (Hand-Delivered) |
| John Hildebidle | Glimpses of Heaney Astray |
| Ted Hughes | Untitled |
| X.J. Kennedy | Seamus Heaney and the Tinsmith’s Scoop |
| Robert Kelly | Heaney at Harvard: A New Oral Tradition |
| Frederick Marchant | A Held Balance |
| Askold Melnyczuk | Killing the Common Moth |
| Michael Milburn | Singing School: Reflections on Heaney’s Voice |
| Czeslaw Milosz | On Heaney’s Presence in Poland |
| Dennis O'Driscoll | Letter from Dublin |
| Joe Osterhaus | The Belling in the Glen |
| David Perkins | Sounds of Seamus Heaney |
| Robert Pinsky | Character and Art |
| David Rivard | Reading Heaney in Basho’s Phantom Hut |
| Neil Rudenstine | The View from Massachusetts Hall |
| Robert Scanlan | The Lie of the Land Locus Amoenus |
| Lloyd Schwartz | Poetry and Politics: Seamus Heaney at UMass-Boston |
| George Scialabba | The Inviolable Seamus |
| Michael Shinagel | Seamus Heaney’s “Villanelle for an Anniversary” |
| Charles Simic | The Night of the Libraries |
| Tom Sleigh | To Credit Marvels |
| Richard Tillinghast | Seamus Heaney’s Two Bailiwicks |
| Jean Valentine | |
| Helen Vendler | Seamus Heaney’s Invisibles |
| Jay Wickersham | Prompts |
| Joyce Wilson | Spring Semester |
POETRY
| Lucie Brock-Broido | On His Nobelity |
| Odysseus Elytis | Twenty-four Hours For Always |
| Seamus Heaney | The Fragment Mycenae Lookout |
| Paul Muldoon | A Telegram for Seamus Heaney |
DRAMA
VISUAL ART
| Jim Block | Drawing |
| Lucie Brock-Broido | Photo |
| Barrie Cooke | Drawing |
| K.E. Duffin | Etching Etching |
| Better Ferber | Photo |
| Dimitri Hadzi | Photo Drawing |
| Cynthia Hadzi | Photo |
| Ralph Hamilton | Drawing |
| Larry Herman | Photo |
| Michael Mazur | Drawing |
| Nicholas Reed | Drawings |
| Ricardo Salazar | Photo |
| Joe Wrinn | Photo |
BOOK REVIEWS
| K.E. Duffin | Two collections of poetry by Mark Strand |
| Robert Faggen | Love’s Labors in Field Work |
| Sue Standing | Back into the Marvelous: a Re-viewing of Seeing Things |