Passing
by Stephen Cramer
Diagonal bands
of green & gold—
the man’s tie,
lassoed over his hoodie—
rocks as he rocks
on an upside-down
bucket on 53rd,
& the amazing thing
is not that he’s spouting
a continuous log
of the sidewalk’s
tourist shuffle
but that he doesn’t stop:
he’s got a rhyme
for every fabric,
every color & piece
of clothing
so he can even include
the woman stepping out
of the sleek Towncar:
To the missis in heels,
you make me feels
so fine; I think
I feel better than that mink …
before he segues
into pleas for cash—
If you like what I holler
fork over a dollar
I take tens, & Honey,
I’ll even take a twenty …
& right now even that
seems like a bargain
for a record
of this passing
day, & I could sit
for a while watching
this man distill the city
to clause after non-sequiting
clause, watching the sentence
shrink to the clouds
of his breath
as the conveyor belt
of denim, plaid, corduroy,
yes, even paisley, continues:
hey you in the tweed
you got what I need,
I wish I got paid
like you in the suede
continues till nightfall,
when most have found
where they’re going,
somewhere warm
with the properly fluted
glasses, the right
drinks, & even when sleep
tries to make him
call it quits, he’s got
one last rhyme:
Man, life is hard
without a MasterCard
I knows it when I sees a
man with a Visa …
I don’t want him
to stop, don’t want to let
a moment go unrecorded.
So as the rest of us
get clouded by food
& drink & talk of the latest
food & drink
I put my trust in this stranger—
though we’re not strangers
to him—& he works out
another rhyme
& another, & that city
in the air continues to billow,
will continue to swell
& crest & surge as long
as his breath can carry it.
Published on July 23, 2011